| Abstract |
Figuration makes sense by means of a similarity that links between the subject and the object. Such a similarity is referred to the “key” of figuration. Wherever the “key” is found, the figuration is unraveled. Mr. Yu Kuang-chong is a respectable leader in the circle of poets. This article targets on Yu’s neo-poetry to highlight where the key is located when the poet manages to apply a figuration. The author concludes that there is two ways arrange the location of the key: the basic and the variable patterns. In the basic pattern, the subject, the object and the key appear once in a poem. And there are two kinds of arrangement to array the location of the subject, the object and the key. The variable pattern, on the other hand, has three kinds of arrangement and its figuration is more flexible. The basic pattern of figuration represents a vigor that corresponds a poetic beauty of prominence. The variable patter represents a flexibility that creates a poetic beauty of cleverness. |
