| Abstract |
" Dian-ran " is two kinds of painting skills. In traditional text theory, poetics, we did not find out the overall study about this. The theme of the text is regard “four kinds of dian-ran “ , and we can look for the theories in the paintings. Take the Dong-Po’s Ci as an example to discuss " four kinds of dian-ran " in the organization of writing. The context of the " four kinds of dian-ran " is " adding point in the middle of the point"," adding point in the middle of the dye"," adding dye in the middle of the dye"," adding dye in the middle of the point" etc. The philosophical implications of " four kinds of dian-ran " is near to the relationship of " unitary " and" multiple ". It not only appear the logic layer of the article, but also produce the circulating rhythm by the varieties of " power". Then the full rhythm can be established to get aesthetic impression of " layer"," rhythm"," unify". |
