| Abstract |
Since Wang AnShi wrote “Min Fei Qu”, famous poets in Song Dynasty, like Mei Yaochen, Ouyang Xiu, SiMa Guang, Liu Chang and Zeng Gong, tended to have works to reply to it. As a result, we could find more than 153 poems in Song Dynasty about Wang Zhaojun’s story. Comparing with nearly 90 poems written in Six Dynasties to Tang, I found that poems on the same issues usually emphasize on innovation and differentiation. Therefore, I would refer to Ku Chiehkang’s theory of processed history, Ceng Yongyi’s theory of stories’ extension and variation from their original patterns and Wolfgang Iser’s Reception Aesthetics, and inspect five systems found in Wang Zhaojun’s stories, then demonstrate how poets make their works out of ordinary. I will use the sense of competition and the development of incomplete aesthetic to show Song poetry’s creative thinking, and focus on the void and vague points in poetry to discuss transformation and innovation of Wang’s images in Song Dynasty. Consequently, innovation of Wang AnShi’s “Min Fei Qu”, the other thinking in writing competition on the same issues, creative supplement of stories’ scene, and detailed portraits of Wang’s mental state would all contribute to the development of Wang Zhaojun’s stories.
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