| Abstract |
The organization of writing is structured by means of displacement and transfer. Such a structure forms a tempo. Various tempos link and constitute the rhythm of a composition. Generally, tempo refers to local arrangement and rhythm refers to a whole. The tempo caused by displacement is simple, repeated, and uniform, expressing harmony that is subject to feminine attribute. Yet a tempo caused by transfer is rather complex or recurrent, expressing contrast that is subject to masculine attribute. Thus the rhythm of a composition is developed, layer by layer, from locally to comprehensively, by tempos. Such a process can be illustrated as a kind of “multiple, binary, and single(zero)” structure. Based on the attribute; that is, feminine of masculine, one can identify its style. On the other hand, there are diverse structures in organization of writing: multiple, binary or single(zero). Among these structures, there must be a core in the main body. The core structure highlights the “theme” and encloses corresponding materials. Therefore, one can appreciate a composition by means of identifying its structure, perceiving its tempo and rhythm, and capturing its aesthetic effect.
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